{"id":1477,"date":"2022-12-27T11:54:24","date_gmt":"2022-12-27T16:54:24","guid":{"rendered":"https:\/\/dev.theterritoryimpact.org\/press-2\/"},"modified":"2023-01-23T14:51:16","modified_gmt":"2023-01-23T19:51:16","slug":"press","status":"publish","type":"page","link":"https:\/\/theterritoryimpact.org\/pt\/urz\/press\/","title":{"rendered":"Press – Kawahiva"},"content":{"rendered":"
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M\u00f5rongyta pupe<\/h2>\n\n\n\r\n
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\u2018Fire Of Love,\u2019 \u2018The Territory,\u2019 \u2018All That Breathes\u2019 Lead The Way As Cinema Eye Honors Nominations Announced<\/a><\/h3>\t\t<\/header>\n\n\t\t
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The Oscar prospects for Fire of Love<\/em>, O territ\u00f3rio<\/em>, and All That Breathes<\/em> got a significant boost today with the announcement of the nominations for the 16th<\/sup> Annual Cinema Eye Honors<\/a>.<\/p>\n\n\n\n

Sara Dosa\u2019s Fire of Love<\/em> and Alex Pritz\u2019s O territ\u00f3rio<\/em> tied with a leading seven nominations apiece, while All That Breathes<\/em>, from director Shaunak Sen, was recognized in half a dozen categories. <\/p>\n\n\n\n

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TEAM DEAKINS PODCAST : ALEX PRITZ – Documentarian<\/a><\/h3>\t\t<\/header>\n\n\t\t
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This week, Team Deakins is so happy to invite documentary filmmaker Alex Pritz (THE TERRITORY, MY DEAR KYRGYSTAN) to join us for a wide ranging conversation. Alex explains to us how his background in science spurred him into filmmaking, and still drives the larger questions his films attempt to ask. We also discuss the moral issues raised by documenting real life events – and perhaps more importantly, real people. And then we get into the importance of being 100 percent honest in grappling with those issues.<\/p>\n\t\t<\/div>\n\n\t<\/article>\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t

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IDA Documentary Awards Shortlists Announced: \u2018Fire Of Love,\u2019 \u2018The Territory,\u2019 \u2018All That Breathes\u2019, \u2018All The Beauty And The Bloodshed\u2019 Gain Traction<\/a><\/h3>\t\t<\/header>\n\n\t\t
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A handful of awards season frontrunners is starting to emerge with the announcement today of the IDA Documentary Awards Shortlists.<\/p>\n\n\n\n

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O territ\u00f3rio<\/em>\u00a0Director Alex Pritz on Local Conflicts, Narrative Control, and Ethical Choices<\/a><\/h3>\t\t<\/header>\n\n\t\t
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When watching documentarian Alex Pritz\u2019s O territ\u00f3rio<\/em>, the conflict becomes all-consuming. The Uru-eu-wau-wau, less than 200 of them, become the clear heroes. The settlers and farmers, all of which are attempting to seize Indigenous land to make it their own, become the natural villains, despite their own struggles. Pritz stands behind the camera, shooting each side of the conflict, giving air time to those that protect and light this small section of the Amazon rainforest, allowing viewers to make their own judgments. <\/p>\n\n\n\n

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Uru-eu-wau-wau do Brasil documenta vit\u00f3ria COVID-19 com novo v\u00eddeo<\/a><\/h3>\t\t<\/header>\n\n\t\t
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Quando o Uru-eu-wau-wau<\/a> foram contatados pela primeira vez em 1981, doen\u00e7a e morte seguiram logo depois. Com anticorpos limitados para combater pat\u00f3genos estranhos, doen\u00e7as infecciosas como tuberculose e sarampo cobraram um pre\u00e7o desastroso. De uma comunidade ind\u00edgena vibrante, com milhares no in\u00edcio de 1900, mais da metade<\/a> morreu.<\/p>\n\n\n\n

Quando a epidemia de coronav\u00edrus chegou ao Brasil em mar\u00e7o de 2020, os acontecimentos da d\u00e9cada de 1980 ganharam grande destaque na mem\u00f3ria coletiva da comunidade.<\/p>\n\t\t<\/div>\n\n\t<\/article>\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t

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A Floresta Amaz\u00f4nica est\u00e1 quase acabando<\/a><\/h3>\t\t<\/header>\n\n\t\t
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H\u00e1 cinco d\u00e9cadas, o Brasil incentivou milh\u00f5es de pessoas a colonizar a Amaz\u00f4nia. Hoje, seus p\u00e1tios de madeira, cercados de gado e fazendas de soja ficam \u00e0s margens de uma floresta em extin\u00e7\u00e3o. Alimentada por fontes obscuras de capital e crescente demanda por carne bovina, uma fronteira violenta e corrupta est\u00e1 agora avan\u00e7ando para terras ind\u00edgenas, parques nacionais e uma das partes mais preservadas da selva.<\/p>\n\t\t<\/div>\n\n\t<\/article>\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t

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146: Alex Pritz em \u201cThe Territory\u201d em Sundance<\/a><\/h3>\t\t<\/header>\n\n\t\t
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A queima da floresta amaz\u00f4nica \u00e9 uma trag\u00e9dia global. O cineasta Alex Pritz colabora com membros da comunidade ind\u00edgena Uru-eu-wau-wau para documentar o que est\u00e1 acontecendo O territ\u00f3rio<\/a>. Estreando em Sundance, o filme foi aclamado como \u201cfascinante\u201d (Variety), \u201cbel\u00edssimo e \u00e0s vezes engenhosamente concebido\u201d (Indiewire). Alex descreve a produ\u00e7\u00e3o do filme com o apresentador Thom Powers.<\/p>\n\t\t<\/div>\n\n\t<\/article>\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t

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Da Amaz\u00f4nia a Glasgow: Um ativista ind\u00edgena diz: 'N\u00e3o temos mais tempo.'<\/a><\/h3>\t\t<\/header>\n\n\t\t
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A mulher em destaque n\u00e3o era Greta Thunberg, mas Txai Suru\u00ed, uma ativista ind\u00edgena do clima de 24 anos do Brasil, fazendo sua primeira apari\u00e7\u00e3o no cen\u00e1rio mundial. No dia de abertura da c\u00fapula global do clima em Glasgow, ela fez um apelo eloquente chamando a aten\u00e7\u00e3o para o desmatamento devastador da Amaz\u00f4nia.<\/p>\n\n\n\n

\u201cA Terra est\u00e1 falando\u201d, disse Suru\u00ed. \u201cEla nos diz que n\u00e3o temos mais tempo.\u201d<\/p>\n\t\t<\/div>\n\n\t<\/article>\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t

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\u201cCOVID nos ajudou a descobrir uma nova maneira de criar este filme\u201d | Alex Pritz, O Territ\u00f3rio<\/a><\/h3>\t\t<\/header>\n\n\t\t
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O territ\u00f3rio<\/em> \u00e9 um filme sobre conflitos de terra em territ\u00f3rio ind\u00edgena na Amaz\u00f4nia brasileira, que foi co-criado com a comunidade Uru-eu-wau-wau.<\/p>\n\t\t<\/div>\n\n\t<\/article>\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t

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Como podemos usar o filme para criar mudan\u00e7as sociais<\/a><\/h3>\t\t<\/header>\n\n\t\t
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Os filmes sempre foram um \u00f3timo meio para inspirar ou servir como ferramenta para a mudan\u00e7a social. Eles tamb\u00e9m podem fazer com que o p\u00fablico experimente diferentes tipos de emo\u00e7\u00f5es, exp\u00f4-los a novas perspectivas e, o mais importante, podem servir como um meio para cineastas, produtores e comunicadores trazerem mais consci\u00eancia para certas quest\u00f5es ou causas, ajudando a mudar os cora\u00e7\u00f5es e mentes das pessoas. pessoas sobre assuntos urgentes.<\/p>\n\t\t<\/div>\n\n\t<\/article>\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t

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Lotes da floresta amaz\u00f4nica vendidos atrav\u00e9s de an\u00fancios do Facebook Marketplace<\/a><\/h3>\t\t<\/header>\n\n\t\t
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Partes da floresta amaz\u00f4nica do Brasil est\u00e3o sendo vendidas ilegalmente no Facebook, descobriu a BBC.<\/strong><\/p>\n\n\n\n

As \u00e1reas protegidas incluem florestas nacionais e terras reservadas aos povos ind\u00edgenas.<\/p>\n\t\t<\/div>\n\n\t<\/article>\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t

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A guerra pela floresta tropical<\/a><\/h3>\t\t<\/header>\n\n\t\t
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Reservada para um grupo ind\u00edgena isolado, a reserva brasileira Ituna-Itat\u00e1 agora foi fortemente desmatada \u2013 uma ilustra\u00e7\u00e3o sombria das for\u00e7as intrat\u00e1veis que est\u00e3o destruindo a Amaz\u00f4nia.<\/p>\n\t\t<\/div>\n\n\t<\/article>\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t

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Tribos da Amaz\u00f4nia est\u00e3o usando drones para rastrear desmatamento no Brasil<\/a><\/h3>\t\t<\/header>\n\n\t\t
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A tribo Uru-Eu-Wau-Wau n\u00e3o teve contato com o mundo exterior at\u00e9 o in\u00edcio dos anos 1980. Agora, eles s\u00e3o uma das v\u00e1rias comunidades ind\u00edgenas que usam drones para encontrar e documentar a extra\u00e7\u00e3o ilegal de madeira em seu territ\u00f3rio na Amaz\u00f4nia brasileira<\/p>\n\t\t<\/div>\n\n\t<\/article>\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t

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Amazon \u00e9 menos capaz de se recuperar de secas e extra\u00e7\u00e3o de madeira, segundo estudo<\/a><\/h3>\t\t<\/header>\n\n\t\t
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A Amaz\u00f4nia est\u00e1 perdendo sua capacidade de se recuperar de dist\u00farbios como secas e mudan\u00e7as no uso da terra, relataram cientistas na segunda-feira, aumentando a preocupa\u00e7\u00e3o de que a floresta tropical esteja se aproximando de um limite cr\u00edtico al\u00e9m do qual grande parte ser\u00e1 substitu\u00edda por pastagens, com vastas consequ\u00eancias para a biodiversidade e das Altera\u00e7\u00f5es Clim\u00e1ticas.<\/p>\n\n\n\n

Os cientistas disseram que sua pesquisa n\u00e3o identificou quando esse limite, que eles descreveram como um ponto de inflex\u00e3o, pode ser alcan\u00e7ado.<\/p>\n\t\t<\/div>\n\n\t<\/article>\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t <\/div>\r\n <\/div>\r\n <\/section>\n\n\n\n

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M\u00e3r\u00e3 ‘i g\u00e3 a’angava rehe?<\/h2>\n\n\n\r\n
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How an Indigenous Amazonian Group Worked With Filmmakers to Make\u00a0O territ\u00f3rio<\/em><\/a><\/h3>\t<\/header>\n\n\t
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In the western Brazilian state of Rond\u00f4nia, deep inside the Amazon, a swath of rainforest spans an area two and a half times the size of Delaware\u2014a rich green oasis surrounded by pale farmland. Fewer than 200 people live here: the Uru-eu-wau-wau Indigenous people, just a fraction of the population of thousands the Brazilian government first made contact with in the 1980s.<\/p>\n\n\n\n

The Uru-eu-wau-wau\u2014and their tireless fight against deforestation\u2014are the subjects of the National Geographic documentary O territ\u00f3rio<\/em><\/a>, produced in association with TIME Studios, which releases in theaters on Friday.<\/p>\n\t<\/div>\n\n<\/article>\n\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t

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In a besieged Amazon, people take up cameras to save their land<\/a><\/h3>\t<\/header>\n\n\t
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Forty years ago, Brazilian officials made first contact with a tribe of Indigenous warriors called the Uru-Eu-Wau-Wau in the rain forests of the western state of Rond\u00f4nia. The contact was the culmination of a years-long pacification campaign by FUNAI, Brazil\u2019s Indigenous affairs agency, to lure the tribe from the jungle with gifts, such as knives, axes, cloth, and mirrors.<\/p>\n\n\n\n

The ramifications of that contact, and the tribe\u2019s resolve to defend its land and traditions, is now the subject of a powerful new documentary, O territ\u00f3rio<\/em>,<\/a> released by National Geographic Documentary Films in select theaters on August 19.<\/p>\n\t<\/div>\n\n<\/article>\n\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t

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\u2018The Territory\u2019 Film Review: Amazonian Eco-Warriors Fight Back With Arrows \u2014 and Cameras<\/a><\/h3>\t<\/header>\n\n\t
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Engines roar, blades are sharpened, recoil starters sputter and whine. The opening of Alex Pritz\u2019s Sundance-winning documentary \u201cThe Territory\u201d prepares the audience for a real \u201cChainsaw Massacre,\u201d one that plays out in the Amazon rainforest. But this film is far more terrifying, and galvanizing, than Tobe Hooper\u2019s \u201870s slasher classic.<\/p>\n\t<\/div>\n\n<\/article>\n\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t

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‘The Territory’ – cinematic hope in tragedy<\/a><\/h3>\t<\/header>\n\n\t
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The film begins in 2018, with an Indigenous community’s struggle to protect what Pritz calls their “island of rainforest surrounded by farms.”<\/p>\n\n\n\n

“In the 1980s,” reads an opening title, “the Brazilian government first contacted the Uru-eu-wau-wau people. From a population of thousands fewer than 200 remain.”<\/p>\n\n\n\n

Bitat\u00e9, a clear-eyed teen activist, is among them, swimming in a tributary, romping with other kids, and working with Neidinha, a middle-aged non-Indigenous activist he refers to as a second mother, to combat a national government that seems hellbent on destroying his home.<\/p>\n\t<\/div>\n\n<\/article>\n\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t

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\u2018The Territory\u2019 Review: A Revelatory and Immersive Documentary About the Ongoing Crisis in the Amazon<\/a><\/h3>\t<\/header>\n\n\t
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Documentaries that set out to tackle complex subjects and narratives in a single feature can be tricky to pull off. While there is often a necessity to condense potentially decades of context to fit within a bounded runtime, history is much broader and more expansive than that. What makes\u00a0O territ\u00f3rio<\/em><\/strong><\/a>\u00a0such a stunning and standout work is that it never loses sight of this history that is inexorably intertwined with those living with its repercussions now. A debut feature from director\u00a0Alex Pritz<\/strong>\u00a0that won multiple awards at the\u00a0Sundance Film Festival<\/a>, it is now getting a release from\u00a0National Geographic<\/a>\u00a0in\u00a0a moment where it remains as painfully and profoundly relevant as ever<\/a>. It centers on the Uru-eu-wau-wau Indigenous people and the precarity they face in modern-day Brazil, where the Amazon they have lived in for generations is being decimated. Making matters worse was the election of the far-right nationalist\u00a0Jair Bolsonaro\u00a0<\/strong>who has eroded protections for the land and the people that are still living in it.<\/p>\n\t<\/div>\n\n<\/article>\n\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t

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The Territory\u00a0Review: An Eye-Opening Look at a Fight Against Deforestation<\/a><\/h3>\t<\/header>\n\n\t
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An opening text scroll in director Alex Pritz\u2019s documentary\u00a0O territ\u00f3rio<\/em>\u00a0recounts that Brazil\u2019s Uru-eu-wau-wau people were first contacted by the country\u2019s government in the 1980s. A bit over three decades later, as we glean from the film\u2019s embedded point of view on their lives, these native Amazonians have adopted some of the accoutrements of modernity. They ride motorcycles, wear soccer jerseys, and use smartphones to follow Brazil\u2019s 2018 general election, the latter of which resulted in an ongoing disaster for their people following the victory of far-right nationalist Jair Bolsonaro.<\/p>\n\t<\/div>\n\n<\/article>\n\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t

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Essential Environmental Doc\u00a0The Territory\u00a0Platforms the Plight of Indigenous Brazilians<\/a><\/h3>\t<\/header>\n\n\t
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The violent claw of colonization continues to raze Indigenous land well into the 21st century, a point made startlingly clear in Alex Pritz\u2019s urgent documentary\u00a0O territ\u00f3rio<\/em>. Though the fight against climate change and genocide has been a lifelong effort amid various Indigenous groups around the globe, this lean, visually striking film focuses on the the Uru-Eu-Wau-Wau people, living in a verdant expanse in the Brazilian Amazon that sees its once vast perimeter shrinking exponentially each day.<\/p>\n\t<\/div>\n\n<\/article>\n\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t

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\u2018The Territory\u2019 Review: Saving the Amazon, One Camera at a Time<\/a><\/h3>\t<\/header>\n\n\t
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\u201cSave the rainforest\u201d has been a constant refrain among environmentalist groups for the past half-century, but no recent film captures the immediacy of the threat better than \u201cThe Territory,\u201d Alex Pritz\u2019s documentary feature debut, which had its premiere earlier this year at Sundance.<\/p>\n\n\n\n

National Geographic Documentary Films acquired the rights to the movie after it screened, and given the distributor\u2019s current interest in gripping thrillers (\u201cFree Solo,\u201d<\/a> \u201cFire of Love\u201d<\/a>), it\u2019s no surprise that this feature, covering the embittered conflict between Brazilian cattle ranchers and an Indigenous group in the Amazon rainforest, fits right into its lineup. But \u201cThe Territory\u201d is more than meets the eye, revealing its most profound observations in stages across its running time. The film\u2019s luscious cinematography captures the sun-dappled island of jungle where the Uru Eu Wau Wau reside, a land slowly being consumed by flames as farmers and other settlers illegally raze the forest for pastures, with few repercussions.<\/p>\n\t<\/div>\n\n<\/article>\n\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t

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Sundance 2022: o territ\u00f3rio<\/a><\/h3>\t<\/header>\n\n\t
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De vez em quando, surge um filme que simultaneamente eleva sua raiva e evapora sua esperan\u00e7a, enquanto o leva a acreditar, contra toda a l\u00f3gica, que talvez, se as pessoas certas vencerem, a inevitabilidade do fim sombrio de nossa esp\u00e9cie ainda possa ser apagado. O apelo urgente e visualmente fascinante de Alex Pritz, \u201cO territ\u00f3rio<\/strong>\u201d, analisando a luta que est\u00e1 sendo travada pelos invasores grileiros e a pequena tribo ind\u00edgena Uru-Eu-Wau-Wau no Brasil, sobe a essas alturas. <\/p>\n\t<\/div>\n\n<\/article>\n\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t

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Revis\u00e3o de 'The Territory': Intense Doc cede o controle narrativo para seus sujeitos ind\u00edgenas<\/a><\/h3>\t<\/header>\n\n\t
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Dentro Alex Pritz<\/a>de \u201cO territ\u00f3rio<\/a>\u201d \u2014 um document\u00e1rio feito em estreita colabora\u00e7\u00e3o com a minguante tribo Uru-eu-wau-wau do Brasil \u2014 a imagem em movimento \u00e9 verdade, verdade \u00e9 poder, e pegar uma c\u00e2mera \u00e9 um ato de recupera\u00e7\u00e3o. Situado na interse\u00e7\u00e3o explosiva de tecnologia, pol\u00edtica e persegui\u00e7\u00e3o ind\u00edgena, o filme \u00e9 maravilhosamente e \u00e0s vezes engenhosamente concebido, pintando um retrato \u00edntimo em primeira m\u00e3o de alegria, dor e comunidade, antes de explodir com uma intensidade estrondosa ao capturar uma alta -estacas luta pela sobreviv\u00eancia que se desenrola no momento. Mais do que apenas uma cr\u00f4nica de eventos, no entanto, \u00e9 tamb\u00e9m uma declara\u00e7\u00e3o ousada sobre as lentes atrav\u00e9s das quais os povos ind\u00edgenas s\u00e3o frequentemente trazidos para a tela de prata.<\/p>\n\t<\/div>\n\n<\/article>\n\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t

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'O Territ\u00f3rio': Cr\u00edtica do Filme | Sundance 2022<\/a><\/h3>\t<\/header>\n\n\t
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Concentrando-se no que os cineastas chamam de \u201cuma ilha de floresta tropical cercada por fazendas\u201d, O territ\u00f3rio <\/em>\u00e9 um primeiro longa marcante para o diretor de fotografia Alex Pritz, bem como um not\u00e1vel trabalho colaborativo. Seus produtores incluem Darren Aronofsky<\/a>, e seus sujeitos, os ind\u00edgenas Uru-eu-wau-wau do Brasil, ajudaram a fazer o filme.<\/p>\n\t<\/div>\n\n<\/article>\n\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t

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Cr\u00edtica: Ind\u00edgenas brasileiros defendem sua posi\u00e7\u00e3o em um document\u00e1rio ambiental urgente<\/a><\/h3>\t<\/header>\n\n\t
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For\u00e7as duplas de mudan\u00e7a clim\u00e1tica e genoc\u00eddio cultural se sobrep\u00f5em com efeito devastador em \u201cO territ\u00f3rio<\/a>\u201d, amea\u00e7ando n\u00e3o apenas uma comunidade nativa, mas um ecossistema mais amplo \u2013 e aplaudido pelas pot\u00eancias ativamente hostis. Rebitar e desesperador em igual medida, diretor calouro Alex Pritz<\/a>O document\u00e1rio nos mergulha ao longo de tr\u00eas anos nas vidas, meios de subsist\u00eancia e terra natal do povo ind\u00edgena Uru-eu-wau-wau, cujo trecho supostamente protegido da floresta amaz\u00f4nica est\u00e1 sob ataque de todos os lados por agricultores, garimpeiros e colonos que n\u00e3o pensam em desmatar trechos de selva que n\u00e3o lhes pertencem.<\/p>\n\t<\/div>\n\n<\/article>\n\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t

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Cr\u00edtica: emocionante produ\u00e7\u00e3o de filmes ativistas<\/a><\/h3>\t<\/header>\n\n\t
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O territ\u00f3rio <\/em>\u00e9 um cinema sem medo. Sucesso absoluto no Festival de Cinema de Sundance deste ano, o filme \u00e9 uma emocionante saga ambiental. \u00c9 um feito emocionante que v\u00ea a arte e o ativismo colidirem. Al\u00e9m disso, este filme deve ser estudado como um exemplo de produ\u00e7\u00e3o cinematogr\u00e1fica colaborativa engajada. O trabalho \u00e1rduo e os riscos assumidos s\u00e3o evidentes e pagam dividendos justos neste thriller ecol\u00f3gico urgente sobre a luta da tribo Uru-eu-wau-wau para salvar a Amaz\u00f4nia, um modo de vida e o fr\u00e1gil centro do ecossistema do mundo<\/a>.<\/p>\n\t<\/div>\n\n<\/article>\n\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t <\/div>\r\n <\/div>\r\n <\/section>","protected":false},"excerpt":{"rendered":"

M\u00f5rongyta pupe M\u00e3r\u00e3 ‘i g\u00e3 a’angava rehe?<\/p>","protected":false},"author":11,"featured_media":112,"parent":1466,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-1477","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/theterritoryimpact.org\/pt\/wp-json\/wp\/v2\/pages\/1477","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theterritoryimpact.org\/pt\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/theterritoryimpact.org\/pt\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/theterritoryimpact.org\/pt\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/theterritoryimpact.org\/pt\/wp-json\/wp\/v2\/comments?post=1477"}],"version-history":[{"count":6,"href":"https:\/\/theterritoryimpact.org\/pt\/wp-json\/wp\/v2\/pages\/1477\/revisions"}],"predecessor-version":[{"id":1534,"href":"https:\/\/theterritoryimpact.org\/pt\/wp-json\/wp\/v2\/pages\/1477\/revisions\/1534"}],"up":[{"embeddable":true,"href":"https:\/\/theterritoryimpact.org\/pt\/wp-json\/wp\/v2\/pages\/1466"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theterritoryimpact.org\/pt\/wp-json\/wp\/v2\/media\/112"}],"wp:attachment":[{"href":"https:\/\/theterritoryimpact.org\/pt\/wp-json\/wp\/v2\/media?parent=1477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}